Olivier Boonjing, SBC on his technical choices for “Rien à foutre”
Always surprising and prolific, Belgian cinema sends this year to the Critics’ Week a very nice portrait of a young woman played by Adèle Exarchopoulos. Rien à foutre (which was called Carpe Diem when it was filmed so as not to scare people!) is also a dive into the ruthless … Continue reading Olivier Boonjing, SBC on his technical choices for “Rien à foutre”
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